Editorial archive of biomaterials. It brings together formulas, graphics, maps, and visual essays that translate biomaterials research into an editorial language, activating new ways of documenting and thinking about matter.

Complete visual system for a medical device company, covering key brand touchpoints across product, communication, and events. The project included packaging design for a pouch pack format, the creation of a clear and user-friendly IFU (Instructions for Use), and the design of an exhibition stand to present the product in a professional and engaging environment.

Rebrand for NYCWFF developed during an internship at Fitz Creative, creating a bold new visual identity for one of New York’s most iconic cultural events. The project included signage, stationery, advertising, website design, and all supporting brand applications across the festival. The campaign was displayed throughout the city, including large-scale placements in Times Square.

Editorial project about the Tour de France, portraying those who wait for it, follow it, and celebrate it from the roadside. A look at the rituals, gestures, and human landscapes that emerge before and after the fleeting passage of the peloton. The Tour as a pretext; the fans as the true protagonists.

RIDE | Real-time Info for Dynamic Events Is an interactive screen system that organizes logistical information and amplifies the audience experience throughout the Tour de France.

Books are not only meant to be read. They are also seen, touched, and smelled. This project, centered on Dogme 95, combines visual, material, and sensory decisions with a deep exploration of the movement’s principles, transforming its ideas into an editorial experience.

Lyken is a node-based digital tool for the exploration of biomaterials, allowing designers to construct and experiment with material systems through modular combinations of components, processes, and modifiers. It reframes biomaterials as dynamic, adaptable systems rather than fixed substances, enabling rapid iteration between formulation, behavior, and outcome, and making visible the relationships between material composition, processing, and final properties.

This project is an editorial plaquette that functions as a means of dissemination for Fluxus escrito, an anthology that brings together texts related to the Fluxus movement. Based on the essay by Alfredo Aracil, the publication explores how this movement can be “inherited” today, revisiting its ideas of freedom, experimentation, and the intersection between art and life.